Madama Butterfly

Giacomo Puccini

11, 14, 17, 20, 22 October 2017
Sala Principal
Running time: 2 h 45 m

Diego Matheuz

Stage Director
Emilio López

Set Designer
Manuel Zuriaga

Costume Designer
Giusi Giustino

Lighting Designer
Antonio Castro

Miguel Bosch

New production
Palau de les Arts

Cor de la Generalitat
Francesc Perales, chorus master

Orquestra de la Comunitat Valenciana

Madama Butterfly (Cio-Cio-San)
Liana Aleksanyan

Luciano Ganci (11)
Matteo Lippi (14, 17, 20, 22)

Rodrigo Esteves

Nozomi Kato

Moisés Marín *

Lo zio Bonzo
Pablo López

José Javier Viudes **

Kate Pinkerton
Marianna Mappa *

Arturo Eduardo Espinosa *

Il commissario imperiale
Jorge Álvarez *

L’ufficiale del registro
Javier Galán

* Centre Plácido Domingo
** Cor de la Generalitat Valenciana

Act I
A hill near the city of Nagasaki, from which one can see the entry gate to the town. Pinkerton, a lieutenant in the United States Navy, takes a look at the quaint house which he has just bought to live in with Cio-cio-san (Madame Butterfly), a beautiful young geisha whom he is going to marry that morning. Goro, the man who has arranged the marriage, introduces the servants that the couple will have at their disposition at the country home. Among them is Suzuki, Butterfly’s maid.

Pinkerton’s friend Sharpless, the American consul in Nagasaki, arrives and the two sit down together to have a drink and rest from the long journey. While they are relaxing, Pinkerton tells his friend of his love affair with Butterfly. Goro leaves to find Cio-cio-san. During their conversation, Sharpless notices that his friend is not truly in love with the young woman. He thus tells Pinkerton that he thinks the upcoming nuptials are a mistake. Pinkerton ignores what he feels are moralistic conventions and invites the consular agent to toast his upcoming marriage with a whisky.

The scene erupts with color and joy as Butterfly, her friends, family, and guests all arrive. The bride-to-be introduces her closest relatives to her prospective groom and reveals that she has just renounced her faith in order to embrace American religion and customs. Goro announces that everything is ready and that the ceremony may begin. The imperial commissary officer proceeds to read the official text of the marriage ceremony, after which various witnesses sign the marriage certificate. Then all the guests toast to the happiness of the newlyweds.

The joyous occasion is interrupted by a fanatic bonzo, Madame Butterfly’s uncle, who publicly rebukes the geisha for renouncing her beliefs. Her family and friends then turn on Cio-cio-san. In the face of such insults, Pinkerton is compelled to put an end to the celebration and drive the guests out. Afterwards, alone with his wife, he comforts her with soothing words. Butterfly is truly happy with Pinkerton. Night falls and the newlyweds go to their bridal chamber.

Act II
Inside Butterfly’s house. Three years have passed and Cio-cio-san lives in sadness. Scorned by her family, she is isolated and living in misery. Her only companion is her faithful servant Suzuki. Butterfly is convinced that her husband will return some day, as he promised her when he left for America shortly after the wedding. Suzuki, however, knows that once a foreign husband leaves the country, he never comes back. She thus harbors no hopes of his return.

Sharpless and Goro arrive. The consul brings word of Pinkerton for Butterfly, but the news is not good. Cio-cio-san, moved by the visit, lavishes Sharpless with attention. Goro mocks the geisha’s innocence in thinking that her husband will return after being away for three years. During this time, the matchmaker has tried to find her suitable, well-off husbands, but the geisha, ever loyal to her husband, has rejected all their proposals, even though she lives in abject poverty. Sharpless himself, while taking tea with Butterfly, witnesses the visit of prince Yamadori, who comes desperately to ask once more for the hand of Cio-cio-san, who has retained both her youth and beauty. His supplication is once again rejected before Sharpless’ disbelieving eyes. Sharpless cannot understand the geisha’s unshakable loyalty to a man who has so obviously abandoned her.

The consul does not know how to tell Butterfly without hurting her that Pinkerton has married an American woman and that the couple is about to arrive in Nagasaki. Sharpless shows Butterfly the letter in which the lieutenant has announced his plans and, not daring to make her face up to the terrible reality, tries to convince her to forget her husband. The geisha, hurt by Sharpless’ words, leaves the room suddenly. She returns holding a baby in her arms and introduces Sharpless to Pinkerton’s son.

The consul, sad and excited at the same time, tells Butterfly that he intends to intercede in the interest of the child and then he leaves.

A cannon shot from Nagasaki harbor, the views of which can be seen from the fragile Butterfly’s house, announces the arrival of Pinkerton’s ship. Butterfly is thrilled by the sound. Mad with happiness, she begins, with Suzuki’s help, to prepare for her husband’s arrival. Night falls. Cio-cio-san, her son and Suzuki sit and wait without taking their eyes from the harbor.

Dawn. Suzuki advises Butterfly to go and lie down. They have stayed awake all night waiting in vain for Pinkerton and they are exhausted. Cio-cio-san retires with her son, after which Sharpless and Pinkerton arrive. They are received by Suzuki, who reproaches the lieutenant for abandoning his wife and leaving her in the direst misery.

The servant notices the presence of a lady (Kate Pinkerton) who wanders through the garden. It is then that Suzuki realizes that Pinkerton has returned with his American wife. Suzuki is horrified by the mere thought of the tragedy that is closing in on poor Butterfly when Kate asks her to convince Cio-cio-san to leave the child with them. For his part, Pinkerton, full of remorse, begs Sharpless to talk to the geisha and to comfort her in his stead as he does not have the courage to face her. He then leaves the house.

Butterfly awakes and immediately asks for Pinkerton. The presence of the stranger she finds in the company of Suzuki and Sharpless disconcerts the geisha, who asks to be introduced to the foreigner. The stuttering responses, the sad faces, and the tears in Suzuki’s eyes make Cio-cio-san understand what is happening and she approaches Kate Pinkerton. She tells her that she agrees to part with the child, but only if Pinkerton himself comes to ask it of her. Sharpless and Kate leave in search of the lieutenant. Butterfly, now alone, says several prayers and, after taking leave of her son, kills herself.

© Miguel Lorenzo/Mikel Ponce