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Italienisches Liederbuch
CLOSING CONCERT
Hugo Wolf: Italienisches Liederbuch
| Singers
Alessandra della Croce, soprano |
Pianists
Alfredo Abbati |
Singers and pianists of Centre de Perfeccionament Plácido Domingo
Musical training and monitoring Auch kleine Dinge Was für ein Lied soll dir gesungen werden Ein Ständchen Euch zu bringen Du denkst mit einem Fädchen mich zu fangen Nein, junge Herr Der Mond hat eine schwere Klag' erhoben Mir ward gesagt Nun lass uns Frieden schliessen Wie viele Zeit verlor ich, dich zu lieben!
Roger Vignoles
Stage movement
Tim Carroll
Miren Urbieta, soprano · Hana Lee, piano
Gabriel Urrutia, baritone · Aida Bousselma, piano
Gesegnet sei, durch den die Welt entsund
Jaehwan Jeong, tenor · Hana Lee, piano
Gesegnet sei das Grün
Natalia Lunar, mezzosoprano · Aida Bousselma, piano
Und steht Ihr früh am Morgen auf
Jaehwan Jeong, tenor · Hana Lee, piano
Mein Liebster ist so klein
Ilona Mataradze, soprano · Aida Bousselma, piano
Schon streckt' ich aus im Bett
Aldo Heo, barítono · Hana Lee, piano
Mein Liebster singt am Haus
Alessandra della Croce, soprano · Aida Bousselma, piano
Aldo Heo, baritone · Elizabete Sirante, piano
Wohl kenn' ich Euren Stand
Natalia Lunar, mezzosoprano · Rafael Andrade, piano
Geselle, woll'n wir uns in Kutten hüllen
Gabriel Urrutia, baritone · Elizabete Sirante, piano
Wie lange schon war immer mein Verlangen
Miren Urbieta, soprano · Rafael Andrade, piano
Und willst du deinen Liebsten sterben sehen
Giovanni Tristacci, tenor · Elizabete Sirante, piano
Ilona Mataradze, soprano · Rafael Andrade, piano
Ilona Mataradze, soprano · Elizabete Sirante, piano
Hoffärhtig seid Ihr, schönes Kind
Giovanni Tristacci, tenor · Rafael Andrade, piano
Du sagst mir, dass ich keine Fürstin sei
Natalia Lunar, mezzosoprano · Alfredo Abbati, piano
O wär' dein Haus durchsichtig wie ein Glas
Miren Urbieta, soprano · Adrià Gràcia, piano
Gabriel Urrutia, baritone · Alfredo Abbati, piano
Alessandra della Croce, soprano · Adrià Gràcia, piano
Sterb' ich, so hüllt in Blumen meine Glieder
Aldo Heo, barítono · Alfredo Abbati, piano
Ihr jungen Leute
Alessandra della Croce, soprano · Adrià Gràcia, piano
Ihr seid die Allerschönste
Giovanni Tristacci, tenor · Alfredo Abbati, piano
Mein Liebster hat zu Tische mich geladen
Miren Urbieta, soprano · Adrià Gràcia, piano
Ich liess mir sagen und mird ward erzählt
Ilona Mataradze, soprano · Jorge Giménez, piano
Nicht länger kann ich singen
Jaehwan Jeong, tenor · Miquel Carbonell, piano
Schweig' einmal still
Natalia Lunar, mezzosoprano · Jorge Giménez, piano
Wer rief dich denn?
Alessandra della Croce, soprano · Miquel Carbonell, piano
Jaehwan Jeong, tenor · Jorge Giménez, piano
Benedeit die sel'ge Mutter
Gabriel Urrutia, baritone · Miquel Carbonell, piano
Verschling' der Abgrund meines Liebsten Hütte
Ilona Mataradze, soprano · Jorge Giménez, piano
Selig ihr Blinden
Giovanni Tristacci, tenor · Julio César Picos, piano
Wir haben Beide lange Zeit geschwiegen
Alessandra della Croce, soprano · Julio César Picos, piano
Aldo Heo, barítono · Julio César Picos, piano
Ich hab' in Penna einen Liebsten wohnen
Miren Urbieta, soprano · Julio César Picos, piano
Price: 6,00 € (all tickets)
Hugo Wolf, soul of the Lied
Hugo Wolf (1860-1903) was one of the great Austrian Lieder composers, often mentioned in the same breath with Brahms, Schubert, Schumann, Strauss, and Mahler. His ample catalogue of over 300 compositions for voice and piano bequeathed to the Austrian canon a fascinating reflection of the various states of the human soul. Passion, love, detachedness, suffering, happiness, spirituality, humor, all these are reference points of the vibrant liederistic universe of Hugo Wolf. His numerous hand written compositions, based on poems by the likes of Goethe or Mörike, reach an expressive zenith thanks to the importance he gives the piano, the brilliance he confers to the text, the recitative character of the singing, and the richness of the melodies, all of which spring from the sentimental, at times naive, inspiration of a tormented genius.
The Italian Songbook, arranged between 1890 and 1896, consists of 46 Lieder and is divided into two volumes. The literary source of the work is a collection of anonymous Italian poems translated into German by Paul Heyse. Wolf began composing the pieces in autumn of 1890, abandoning the project for various months before eventually returning to it, to finish the first volume in December, 1891. Published in Mainz in 1892, the first volume contains 22 Lieder. Four years later Wolf published the 24 Lieder which make up the second volume of the opus.
The Italian Songbook is one of Wolf's best collections. In a letter written after the first volume had been finished, the composer expressed his satisfaction with the result of his work, writing, "My Italian songs are the most original and, artistically, the most perfect songs I have ever composed." Almost the entire songbook deals with love themes, although there are also references to religion. In these Lieder, Wolf seems to abandon the philosophic air of his compositions based on Goethe's texts.
Like much of Wolf's other work, The Italian Songbook deals with romantic themes, but it does so with a delicacy and ease not appreciated as readily in other works by the composer. It is as if the Italian origin of the poems - their Mediterranean feel, their roots in a culture in which feelings are shown more openly - had somehow caused Wolf to lose his inhibitions in the creative process. This collection of 46 songs thus possesses a special charm and stylistic unity, fruits of genuine artistic inspiration and the maturity of a true master of the Lied, a composer who knew how to use the expressive capacity of the piano and the human voice with intelligence and sensitivity.
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